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GREAT BEND CHORALE
MATTHEW MELENDEZ, DIRECTOR
Frostiana
The Road Not Taken
The Pasture
Come In
The Telephone
A Girl’s Garden
Stopping by the Woods on a Snowy Evening
Choose Something Like a Star
Old American Songs
Long Time Ago (ballad)
Simple Gifts (Shaker song)
I Bought Me a Cat (children’s song)
The Little Horses (lullaby)
Zion’s Walls (revivalist song)
At the River (hymn tune)
Ching-A-Ring Chaw (minstrel song)
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The sound we carry with us.
We all have a sound that feels like home. Sometimes it’s a melody from childhood, or a voice we can still hear across the years. Sometimes it’s a familiar landscape, or the warmth of a place where people truly know us. Tonight’s program, The Road Less Traveled, is built around that idea — that home is not just a destination, but a feeling we carry within us.
The composers whose music we hear tonight searched for that feeling in their own ways. They listened closely to the voices and stories around them: the quiet rhythms of small towns, the bright edges of folk songs, the poetry of everyday life. Their music reflects the tenderness and complexity of belonging — not through grand declarations, but through melodies that feel lived-in, recognizable, and deeply human.
At Great Bend, we believe music builds that same sense of belonging in a community. Whether it’s a preschooler singing their first solfège pattern, a teenager discovering their creative voice, or neighbors gathering for a concert like this one, music helps us find each other. It creates anchors — small but powerful — that help people feel rooted, connected, and at home.
Tonight, as these works unfold, you’re invited to listen for the echoes of your own story: the roads you’ve walked, the people who’ve shaped you, the places where you feel most yourself. And in doing so, we hope you feel the rare joy of experiencing this extraordinary music here, together, in a place we all call home.
Welcome to The Road Less Traveled. We’re so glad you’re here.
About the Works and Their Composers
Randall Thompson & Frostiana: Seven Country Songs
Randall Thompson (1899–1984) was one of America’s great choral voices — a composer whose music has been sung in classrooms, community choirs, and concert halls for generations. Known for his gift for clarity and expressive simplicity, Thompson believed that choral music should speak directly to the heart, without needing to shout.
In 1959, the town of Amherst, Massachusetts asked Thompson to write a piece for its bicentennial. He turned to the poetry of Robert Frost, Amherst’s most famous resident, whose work captures the quiet beauty of New England life: its woods, its seasons, its solitude, and its steady, contemplative spirit.
The result was Frostiana, a set of seven songs that weave Frost’s words into a musical landscape that feels intimate and deeply rooted. From the gentle warmth of “The Road Not Taken” to the playful energy of “The Telephone,” Thompson treats Frost’s poetry not as something to be adorned, but as something to be honored. The music moves like memory — personal, tender, and rich with the feeling of home.
Aaron Copland & Old American Songs
Aaron Copland (1900–1990) is often called the “Dean of American Composers,” and with good reason. His music — open, spacious, and unmistakably his own — helped shape what many listeners think of as the American sound. From Appalachian Spring to Rodeo, Copland found inspiration in folk tunes, hymnody, cowboy songs, Shaker melodies, and the rhythms of everyday speech.
Old American Songs (1950/1952) is Copland’s loving tribute to that musical heritage. Rather than composing new melodies, he turned to existing songs — ballads, minstrel tunes, lullabies, and campaign songs — and reimagined them with his distinctive clarity and warmth. The arrangements highlight the strength of the melodies themselves while giving them new color through Copland’s harmonic language and orchestral imagination.
These songs feel familiar even when you hear them for the first time. Copland’s gift lies in showing us the beauty in what we might otherwise overlook: the humor of “I Bought Me a Cat,” the yearning in “Long Time Ago,” the exuberance of “The Golden Willow Tree.” In hearing them anew, we’re reminded that America’s musical history is rich, diverse, and worth celebrating.
Why These Works Together?
Frostiana and Old American Songs are companion pieces in spirit. Both look toward home — real or imagined — and toward the small moments and melodies that define who we are. Both composers elevate the voices of ordinary people: Frost’s conversational poetry and the folk melodies Copland loved for their honesty and character.
Together, they offer two perspectives on the American experience: one poetic, one musical; one reflective, one exuberant. Heard side by side, they become a portrait of a country, a community, and the many roads that lead us toward belonging.